Deep thoughts with amazing Confluence collaborator Jennifer Newsom during our second class workshop for Fate is Kind.
Workshop #3 – Tomorrow is the Question: Listening as Action – Discussion begins @ 11am / Friday, February 19th
Looking towards aspects of the African diasporic tradition and its tools, such as cooperative creation, improvisation, and deep listening, we are provided both inside and outside of the context of musicianship, guides that can play significant and important roles in our lives as active neighbors in community. These are social tools to carry with us day-to-day.
For this third workshop for the class Fate is Kind, we will be joined by artist, musician, and 9th Ward elder Douglas Ewart. Centering our focus on the techniques and histories of so-called jazz, “social music” as it was described by Miles Davis, or simply, as described by the Art Ensemble of Chicago, Great Black Music we will, in general, think through how this traditions qualities play a role for non-musicians to be more attentive neighbors. And in specific, we’ll listen to how these attitudes and qualities have played out in Douglas’ life and work, and what his experiences in cooperative creation can teach us moving forward in common.
In preparation for our visit to the Fate is Kind class by 9th Ward neighbor, artist and musician, Douglas Ewert, we are viewing this conversation between Roscoe Mitchell, Muhal Richards Abrams, Frederick Berry, and George Lewis.
As well, we are listening to the first hour of a series of radio programs originally broadcast in the late 60s on NYC’s WBAI, a long conversation between composers John Cage and Morton Feldman.
Social Margins: An Assembly in Text
As part of the Mt. Analogue class Fate is Kind we are reading Michel de Certeau’s Walking in the City, an excerpt from his Critique of Everyday Life.